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Showing newest 18 of 166 posts from November 2009. Show older posts
Showing newest 18 of 166 posts from November 2009. Show older posts

The World's Largest Copyright Infringer is Google?

With such harsh current rulings against the world's many torrent sites, one company is heavily profiting from the types of searches which are responsible for over 60% of all global searches. Google, valiantly remains the world's largest torrent indexer, although some choose to disagree. The debate on Google remains as disputable as any argument, although some of us know, that the unfair war against the torrent site's, is being heavily over-looked against Google.



 For those who do not understand how Google violates the same "regulations" that are being "alleged" as being broken by the torrent and warez sites, let me explain. The Google Bot spiders the logs of every site, and the bot then spiders all the previous searches (urls with arguments) and Google indexes them. Thus using Google, you can access tons of claimed "copyright" infringing torrents.

So why is it okay for Google to do this? Well, some would claim Google does not host the alleged infringing files on their servers. True, but neither do torrent sites. A torrent site works as a search engine, merely pointing you in the proper location. The only files that are uploaded to torrent sites, are small, BitTorrent files, which provide torrent clients the ability to know who has the said files, by pinpointing a swarm into the proper direction, and allowing one to access that which they are looking for. Torrent files themselves are in no way, shape, or form, illegal, or violate any copyright laws.

So Google, continues to lead the world as the most visited website, even though it's been proven that at least 75% of all internet traffic, is used for file sharing. They profit daily, from ad revenue, that can be seen on the same pages, as indexed searches of copyrighted material. In some nations though, torrent sites under fire, have legally demanded this topic be further reviewed by the courts, before allowing torrent sites to receive all the fire, simply for lack of understanding how it all works.

Just recently, Isohunt, has broughtit before the attention of the anti piracy outfits in Canada. IsoHunt Web Technologies Inc, the company behind the IsoHunt Bittorent search engine, has delivered a case against the Canadian Recording Industry Association (CRIA) in front of a British Columbia court, raising questions about whether search engines are liable for the sharing of copyrighted material. Isohunt delivered the case outline in court after the company received legal threats from the legal threats from the Recording Industry Association of America (RIAA) and CRIA.

The courts must now decide, whether infamous search engines such as Google, Yahoo, or Bing, which also return search queries linking in "alleged" copyrighted materials, are breaking the same copyright laws as the advocates for anti piracy claim that the IsoHuner web site does. In front of the legal system, Isohunt's attorneys demonstrated to the court, that Google can be used search for the same files that are also being found on sites like Isohunt. The only thing that torrent sites do differently, is that torrent sites are used specifically to find BitTorrent files, while Google searches all file extensions.

None the less, Google, still the world's largest search engine, is not being charged for doing the same thing that smaller torrent indexers do, allow users to search for copyrighted material. Becoming an "enabler" for the access of illegal materials. Isohunts's Gary Fung has stated, "It's disappointing to see CRIA wanting to unnecessarily complicate our well defined petition, in attempt to bog us down with time and money through messy discovery and in the process the court's time too.".

Google, Yahoo, MSN, and other major search engines could be engaged in a legal battle in Canada for returning search queries related to copyrighted material. Or maybe it will be overlooked yet again. If in fact it is over-looked, then it's time for someone to announce the hypocrisy of the anti piracy outfits. In fact, to this date, Google has linked more users to copyrighted materials, then all torrent sites combined.

Some can defend Google yes, and say it doesn't have the intent to link to copyrighted materials, where as torrent sites do. No, that claim is outrageous as well, where as torrent sites are meant to link you to useful "legal" materials, and help it's users find them with ease. There are lots of products that are not considered copyright violations, that you can find via torrent sites.

Google could easily defend itself against rather unmatched opponents such as the industry led anti piracy advocates. It's brand is worth over a hundred billion dollars. It's awfully hard to compete in trial against a company with the finances to defy and obliterate you, and the industry moguls know this.

Not only do they know Google is a multimedia powerhouse, but it's also a direct financer of many Hollywood production companies, and their owner's personal business ventures. Also, a new tool from Google was introduced, allowing locked DRM releated videos to be sold from it's online store. Google Video, delivers in a securely locked format, in which restricts how Google members are able to use and view the videos which they have purchased. Such forms of security, are known as a Digital Rights Management system (DRM). DRM is also used by many Google's competitors, and other forms of entertainment, for the purpose that it is unlike any other copyright system that is currently in place. Instead, it enforces a single method of how copyright should work, and forces it to be used by Google's customers.

So it seems, as long as you "appease" the companies whom are pursuing the copyright liability claims, that you can continue to gain profit doing the same things. As long as you have the financial backing to bend the rules, then it's okay by all means in the eyes of anti piracy outfits. In the process of violating the same regulations set forth for torrent sites, Google not only continues to do the same thing, but it also sits back unaffected as it's competition in searches, the torrent sites, are shut down, one by one.

In a modern age, where some torrent sites are forced to inflict copyright filters, and others have their service providers threatened with charges, it would seem, that Google would also have to follow the regulations. What ever happened to, all for one and one for all? Should one company be allowed to continue the same illegitimate business practices, while others are forced closed? Absolutely not. The hypocrisy of such actions, are visible to us all. I only hope that some who's vision on this matter was blurred, now can see this with eyes wide open.



Tags: Google Copywriter, Google Copyright, Google Copyrighting, Google Infrigment, Google Copyright Infringer
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Progeria Images | Progeria Patient Videos | Progeria PAA Movie Video Revealed

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Who is Geeta Basra? - Harbhajan Singh's Special Woman, Geeta Basra on News

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Bhajji consults with Geeta
Recently, Harbhjan Singh took a special woman to check out his new 14,160 square feet property on the eighth floor of Trade World Building in Lower Parel. Bollywood starlet Geeta Basra was the lucky one because the cricketer and the actress are seeing each other. Text: Vickey Lalwani. Photos: Geeta (BCCL), Harbhajan (Manoj Kesharwani)

The bond

A source said, "The bond between Harbhajan and Geeta grows stronger by the day. He consults Geeta on a lot of important decisions in his life. She knew about Harbhajan's Lower Parel property right from the day Harbhajan first set his eyes on it. She looked very comfortable in Harbhajan's company when they went to have a look at his new property." Text: Vickey Lalwani. Photos: Harbhajan (Satish Malavade), Geeta (BCCL)

In touch with Dhoni too
Geeta confirmed that Harbhajan showed her around. However, she claimed that her visit to Harbhajan's property was not preplanned. She said, "I happened to be in Kamala Mills in Parel because I am in touch with Harbhajan and MS Dhoni, I knew that the boys were in the same area too. So I went over and joined them. I loved Harbhajan's place." Text: Vickey Lalwani. Photos: Harbhajan (Uma Kadam), Geeta (BCCL)

'I'm happy for him'
Isn't she closer to Harbhajan than Dhoni, we ask. "Well, yes," came the frank reply. "We both are Panjus, na?" she laughed. "Harbhajan is a fantastic cricketer and a great guy. I am very happy for him about his venture with Dhoni. We do catch up whenever he is free," Geeta added. Text: Vickey Lalwani. Photos: Geeta (BCCL), Harbhajan (AP/Manish Swarup)

'Ask Harbhajan'
When we asked her to spill the beans on their relationship, Geeta said, "You should ask Harbhajan about that. All I can say is that I am a very loyal person and I have only a handful of friends. The day there is something to admit about our relationship, I will." Text: Vickey Lalwani. Photos: Harbhajan (Reuters/Manav Manglani), Geeta (BCCL/Rajesh Bansod)

Source: http://www.indiatimes.com/photostory/5294975.cms


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UNINOR | Uninor GSM Service India | UNINOR Prices in India | UNINOR Mobile Service Launched

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all is what we have to wait to get updates on this... will uninor / union mobile telecom service direct compete with the BSNL, MTNL, Vodafone, Airtel, IDEA ? What will be the prices for UNINOR in INDIA?


Telecom tariff war is in india and as we mentioned earlier, Uninor has launched it’s GSM service in India (they are the 8th GSM operator in India). the company claims is the largest single day launch in telecom history of india, as the service is now available to 550 million people, i.e. 7 circles – Karnataka, Kerala, Andhra Pradesh, Tamil Nadu, Bihar & Uttar Pradesh (East & West). The service will be available in Gujarat, Delhi, Mumbai soon...

Uninor Pricing

Uninor will be retailed at 210,000 point of sale via ~1000 distributors – the company offers two plans, ‘talklonger@29p/min’ and ‘Callmore@29p/min’. While other telecom companies are bringing down the pricing from 1 paisa/sec to 0.5 paisa/sec, Uninor raises the bar with 29p/min (which is still lower than 0.5p/sec).

Uninor TalkMore Plan offers local calls @29 p/minute (with setup charge of 39p), while Callmore offers calls at 29 paise and STD at 49 paise per minute, with a daily rental of Rs2.

DoCoMo and now Uninor – lets hope we don’t compromise on the network quality.
Predatory Pricing

New telecom operators, DoCoMo and Uninor are changing the rules of the game and Bharti CEO has even asked TRAI to look into the predatory pricing strategy by new telecom operators to woo customers.

“Trai should look at predatory pricing… The current tariff structure is lower than the cost structure of operators. Clearly, tariffs have to be sustainable in the long run.

And as one telcom puts it aptly:

When Trai wanted all telcos to provide the per-second billing option, large operators opposed the move and sought that tariffs be left to market forces. But, when market forces take over, they want the regulator to step in. Any reduction in tariffs benefits customers and therefore their stance is anti-consumer” – ET

Will Indian telecom incumbents lose out to new players, owing to their resistance to change? Remember the days when even incoming was charged and incumbents like Bharti sucked the blood out of customers until Reliance came in and changed the game?

Also Mr. Stefan Kercza, Hub Head, Tamil Nadu and Kerala, said the Telenor Group had leveraged its position in India with an investment of Rs 2,620 crore, all for becoming a significant operator in the GSM space and getting 8 per cent of the market share in the next five years.

If you like this article than your comments will be appreciated...


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PAA Premier Video | PAA movie Online | Watch PAA Videos, PAA Review, PAA Bollywood Wallpaper

Watch and Download PAA movie Online, Review, Wallpaper, Images, for free

From family members friends to old colleagues to new co-stars to Bollywood's top notches to other industrywallahs to politicians to corporate giants to sports personalities... oh you name it and you have it, everyone galore at the star-studded, glittering PAA premiere night, which Bollywood would never ever forget!

And why not after all it was a grand Bachchan affair, Bollywood megastar Amitabh Bachchan's big day (night).

The much awaited Amitabh & Abhishek Bachchan starrer PAA premiere was attended by the whos who, we here list down a few..

“Paa” is a movie which touches the sensitive cords of human emotions. The producer of the movie is R.Balacrishnan who is not new in the battle field of direction and has already directed a romantic comedy “Cheeni Kum” two years back. His recent film “Paa” is another challenge for him and, no doubt, may add another feather in his cap.


 



Balacrishnan has experimented in the film with a bizarre cast which has created enormous curiosity among the viewers. The movie is a blend of two different species of family and drama. The cast of the movie has spoken volumes about the expected success of the movie. The cast includes Amitabh, Abhishek, Vidya Balan, Paresh Rawal and Arundhati Naag. The music is composed by Illaiyaraja. AB Corporation, which isthe film company of Amitabh family, has great expectations from their new production.

The cast has developed interest among the viewers due to powerful main cast. The movie revolves around the basic theme of relationship between father and son. The type of relationship that has been portrayed in the film has never been in any other movie. The unique relationship between the father and son stimulates human emotions in a sensational manner.


The plot of the story revolves around a 13 years old boy, Auro (Amitabh) who has the genetic disorder progeria which accelerates the aging process of the child (The disorder makes a child an old man in a very young age). Despite the disorder, he is a playful child and an apple of his parents’ eye. Ironically, Abhishek is playing the role of his father. Themovie is all set for release on 4th of December 2009.

WATCH PAA MOVIE ONLINE HERE >>

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Download Pyaar impossible Mp3 Songs, Review, Trailer Video | Pyaar Impossible Online Mp3 2009

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Bollywood Latest Movie Pyaar Impossible Mp3 Songs Online for free download


Pyaar impossible hindi movie directed by Jugal Hansraj and produced by Aditya Chopra is scheduled to be released in Jan 2010. This film stars are Priyanka chopra as Alisha and Uday Chopra as Abhay, Anupam Kher and Dino Morea .

The film is reportedly based on award winning romantic comedy Hollywood film Notting Hill (1999) starring Julia Roberts and Hugh Grant.

In this movie Dino Morea is the love interest of Priyanka Chopra, a mega star. She later falls for the bookshop owner played by Uday Chopra.

The songs download links will be posted here as soon as they are available , so stay tuned.

SONG SHOOT of PYAAR IMPOSSIBLE





Uday Chopra & Priyanka Chopra at "THE ROCKMANTICS" - PYAAR IMPOSSIBLE




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Download Neelathamara Movie Mp3 Songs, Trailer Video Online

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Neelathaamara is a Malayalam movie which will be a remake of the 1979 Malayalam classic having the same title. The film will release on 27th nov 2009.

The film stars Archana as Kunjimalu, Kailash as Haridas, Suresh Nair as Appukuttan, Samvrutha Sunil as Rathnam, Rima Kallingal as Sharathamini and Sreedevi Unni as Maluamma


The film is produced by Suresh Kumar. Music director Vidyasagar will provide tunes to the lines of Vayalar Sarath Chandra Varma.

Check the links below to download the songs

* Song 1 – Anuragavilochananaayi Adhilere Mohidharaayi
* Song 2 – Neelathamarae Punyam Choodiyen
* Song 3 – Pakhalonnumaanja Veedhiyile Kunjuthamare




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Jaimee Grubbs Sexy Text Message | Tiger Wood sex text messages | Jamie Grubbs Affair

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jamie grubbTiger Woods seems to be in more girl trouble.

A cocktail waitress from Los Angeles, Jaimee Grubbs has claimed that she and Tiger Woods had a 31-month affair, and also said she has pictures and many “racy” SMS’s to prove it.

Grubbs is best known as the girlfriend of Shawn Southern, one of the oafish contestants on VH1’s shows, “Tool Academy.”

Grubbs says she was just 21 when she first hooked up with Tiger Woods in April 2007.

Grubbs also said they had sex about 20 times and that Tiger Woods frequently complained that “his life is overwhelming.”

Grubbs, 24, said Woods told her to keep quiet before the National Enquirer broke the story about Uchitel.

“Hey, it’s Tiger,” Woods reportedly said in a Nov. 24 voice mail. “I need you to do me a huge favor.”



Woods then explained that his wife “went through my phone and may be calling you,” the magazine reported. “So if you can, please take your name off that.”


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Isha Koppikar Wedding, Photos, Marraige Pics With Timmy Narang on 29th nov 2000

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Bollywood actress Isha Koppikar marriage pics with Timmy Narang on 29th nov 2009 in Mumbai. Not a fabulous but a simple sober marriage had isha koppikar with timmy narang.



 

 

 

 




The wedding was kept a simple affair. It was held at the International Society for Krishna Consciousness (ISKCON) Temple in Mumbai.

From the Sangeet, to the nuptials, lastly to the reception, the couple looked exquisite and so happy.

amilies, the Koppikars and the Narangs are extremely pleased with the relationship. The wedding is fixed for Nov 26. Isha and Timmy will marry at a suburban temple and that will be followed by a grand function at the Narang bungalow on Nov 29.”

Isha KoppikarThe couple is so excited about taking the plunge that they are leaving no stone unturned to plan the best wedding. Isha and Timmy are both into spirituality and are followers of the Oneness University, situated in South India. Adds our source, “The couple recently paid a visit to Sri Amma Bhagavan, the founders of the Oneness University, to take their blessings and consult them for the wedding date.”

Isha-Koppikar-WeddingIsha confirms to us that she visited the Oneness University with Timmy to seek blessings, but when we asked her about the wedding plans, all she had to say was, “I am definitely getting married. But I haven’t decided on a date as of now.
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Joanna Krupa Playboy 2009 Pictures | Joanna Krupa Playboy Wallpaper

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Swimsuit model Joanna Krupa will feature on the Playboy magazines December 2009 cover. Joanna is stripping down for the magazine for the second time in four years.

When asked about people who feel that posing for ‘Playboy’ is degrading to women , Joanna Krupa said

“I think they suffer from lack of knowledge and tunnel vision. How many of those self-important, so-called ‘feminists’ have been on the set when a celebrity shot a Playboy spread? There you go. What is feminist about discriminating a photo shoot just because it involves female (partial) nudity that happens to give men pleasure? Pathetic.”



 


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Back to Google News Sehwag closes on record triple-century as India dominates Sri Lanka in 3rd Test

MUMBAI, India — Virender Sehwag is on course to become the first man to score three Test triple-centuries, hitting an unbeaten 284 on Thursday to put India in command of the third and final Test against Sri Lanka.

At stumps on Day 2, India was an imperious 443-1, in response to Sri Lanka's first innings of 393. After just two days, it appeared Sri Lanka's chances of getting a series-levelling victory were over.
Sehwag made the second-fastest double century in Tests, reaching the mark in just 168 balls, compared to New Zealander Nathan Astle's 153-ball effort against England in 2001-02. In all, he hit seven sixes and 40 fours off 239 deliveries, dominating two big partnerships with Murali Vijay (87) and Rahul Dravid (62 not out).

Sehwag and Australia's Donald Bradman are the only players to have scored two triple-centuries in Yests. Sehwag's triple-centuries were made against Pakistan at Multan in 2004 and versus South Africa at Chennai in 2008.

Sehwag shared a brisk 221-run opening stand with Vijay, who was the only India batsman dismissed Thursday, lbw to Rangana Herath after picking the wrong delivery to attempt a sweep.
Filling in for Gautam Gambhir, who is missing this Test to attend his sister's wedding, Vijay hit 10 boundaries.
Sehwag and Dravid then featured in an unbroken 222-run partnership for the second wicket.
With Sehwag punishing the bowlers, Dravid was content to play the supporting role, hitting just five boundaries in his 121-ball innings.

All Sri Lanka's bowlers came in for severe punishment. Herath, the lone successful bowler, finished with the figures 1-112 in 22 overs, while ace offspinner Muttiah Muralitharan conceded 119 runs off his 20 overs.
Earlier, Sri Lanka all-rounder Angelo Mathews fell just one run short of his maiden Test century when he was run out. He pulled a short ball to deep square-leg, and tried a second run in his eagerness to complete the hundred, but failed to beat Sachin Tendulkar's accurate throw to wicketkeeper Mahendra Singh Dhoni.
Mathews hit 15 boundaries off 131 deliveries.

Resuming at the overnight score of 366-8, Sri Lanka added 27 runs for the loss of its remaining two wickets. The visitors' innings folded soon after the departure of Mathews, as last man Chanaka Welegedara (8) fell lbw to Pragyan Ojha (3-101).

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Virendra Sehwag Fastest tripal century of the world record 2009 | Sehwag Century

Sri Lankan batsmen got starts but failed to convert them into big scores. They had to blame themselves for their poor shot selection that cost them their wickets.


Pranavitana started the proceedings by driving fast bowler Zaheer Khan for a four in the first ball of the innings. He played well for his brief stay and cashed in on the loose deliveries hitting seven fours during his 81-ball stay.

At the other end, Dilshan was in an aggressive mode and was severe on Shantakumaran Sreesanth, the Man of the Match in the last Test in Kanpur.

Sreesanth tried to rattle Dilshan with a bouncer, but the Sri Lankan hooked it for a six. Dilshan again pulled the next delivery for a four and hit the last ball through mid-wicket for another four, forcing captain Mahendra Singh Dhoni to take out Sreesanth from the attack and introduce spin. Dilshan's 160-ball innings was studded with 10 fours and two sixes.

Harbhajan gave India the first breakthrough by picking up Pranavitana before the lunch break. In the second session Sri Lanka lost three quick wickets -- skipper Kumar Sangakkara (18), Mahela Jaywardene (29) and Thilan Samaraweera (1), for 60 runs.

But Dilshan and Mahela did the repair act with a 59-run stand for the third wicket. Things were looking good for Sri Lanka, but disaster struck when Mahela top-edged Sreesanth to give an easy catch to Virender Sehwag at backward square leg before .

Dilshan was unfortunate to be get out bat-pad off Harbhajan and caught by Murali Vijay. TV replays clearly showed that his gloves and bat were long away from the bat, but umpire Nigel Llong thought otherwise.

Matthews and Prasanna Jaywardene (43) took the vistors past the 300-mark with their gritty 67-run partnership.

India lead the series 1-0 and a win here will propel them to the top spot in Test rankings. The historic Brabourne Stadium is hosting the first Test match in 36 years.

Scoreboard at lunch on the second day of the third and final cricket Test between India and Sri Lanka at the Brabourne Stadium here Thursday.

The following is the scoreboard at the end of second day's play of the third and final cricket Test between India and Sri Lanka here Thursday:

Sri Lanka: first innings 393 all out

India: first innings

Murali Vijay lbw b Herath 87

Virender Sehwag batting 284

Rahul Dravid batting 62

Extras (lb-3, nb-7) 10

Total (for one wicket in 79 overs) 443

Bowling

Chanaka Welegedara 16 2 73 0

Nuwan Kulasekara 12 0 84 0

Rangana Herath 22 2 112 1

Muttiah Muralitharan 20 0 119 0

Angelo Mathews 6 0 36 0

Tillakaratne Dilshan 3 0 16 0

Umpires: Daryl Harper (Australia) and Nigel Llong (England)

TV umpire: Shavir Tarapore

Match referee: Jeff Crowe (New Zealand)


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Avatar Movie Review | Avatar Movie interview with James Cameron 2009

James Cameron interview for Avatar - Long before James Cameron shot a frame of Titanic
he was working on a movie so ambitious and futuristic that it would be another 14 years before technology caught up with him and he could film it the way he wanted to.


The long-planned and much-hyped £160 million 3D science-fiction extravaganza Avatar will finally be released around the world just before Christmas, 12 years after Titanic, which was 55‑year-old Cameron’s last feature film and remains the biggest box-office hit of all time.

That record could be overtaken by the visually astonishing Avatar, whose ground-breaking techniques and spectacular effects are likely to revolutionise filmmaking and will set standards for years to come.
Cameron, whose filmmaking has always been notable for its technological innovations, explained it simply: “I basically sat down and put everything in this that I ever wanted to see in a movie – and that’s why it’s such a grab-bag of visual concepts.”
Avatar movie

With a cup of coffee in hand and looking relaxed and in a pair of jeans and casual shirt, he was talking in his private projection room after screening 30 minutes of Avatar to a small invited group. It is impossible not to be fascinated and enthralled by his action-filled 3D vision of adventure and battles in an iridescent jungle on an alien planet, where hideous, dragon-like creatures appear to leap off the screen, flora and fauna wave in the air and a heroic avatar does battle with a pterodactyl-like beast before subduing it and soaring off on its back.



“It came from all the science-fiction books I read when I was a kid and it just gestated over time,” he said. “I did a lot of fantasy art and I had drawers full of drawings of creatures, characters, robots, spaceships and all that sort of thing. So for me I was just going back to my roots.”

As a teenager Cameron was so astounded at Stanley Kubrick’s 2001: A Space Odyssey that he saw it 10 times and became inspired to experiment with 16mm filmmaking and model-building. From his earliest filmmaking days – he first gained recognition for writing and directing The Terminator in 1984 – he has been a leading science-fiction auteur and special-effects visionary. Aliens, which he wrote and directed, snared seven Oscar nominations but he developed a reputation for making extreme demands on cast and crew; and The Abyss, which won an Oscar for best visual effects, was a notoriously difficult shoot.
While making Titanic he frequently clashed with studio bosses and the film was delayed because of his use of painstaking state-of-the-art special-effects technology. By his own account it was not an easy or pleasurable film to make, but it went on to receive 14 Oscar nominations, winning 11 including best picture and best director.

As Avatar’s star, Cameron chose the up-and-coming Australian actor Sam Worthington as Jake Sully, an ex Marine who has been wounded and paralysed from the waist down. He agrees to travel to Pandora, an Earthlike-planet with a lush rainforest environment, trees a thousand feet tall, floating mountains and an abundance of life forms, some beautiful and some terrifying. There he becomes an avatar, a human-hybrid who falls in love with a Na’vi, a young native woman who is 10ft tall, blue-skinned and played by Zoe Saldana, from Star Trek.

As he becomes increasingly involved with her and her clan he finds himself caught between the military industrial forces of Earth and the Na’vi, who are increasingly threatened by the human expansion on Pandora.

“We’re telling the story of what happens when a technologically superior culture comes into a place with a technologically inferior indigenous culture and there are resources there that they want,” said Cameron. “It never ends well.
“It’s also a love story about an awakening of perception through the other person. That person must teach him something and there has to be a greater reason for him to be in love with her other than she’s a hot blue alien chick.”
The Canadian-born Cameron and his staff have been experimenting for years with seamlessly blending live action footage with computer-generated techniques, including motion-capture CG that can record an actor’s facial expressions and a virtual camera system that allows Cameron to see in real time the way his actor-based CG characters interact with their virtual worlds.

“It’s fine to say, 'Hey, we did all this unprecedented stuff’, but you have to be willing to go through the painful steps of creating those things and going from an idea to a prototype to a production-ready toolset in a very, very rapid timeframe,” he said. “Avatar was driven by the maturation of the new technology.”

Cameron, who has always used his films as experimental sounding-boards for future projects, explained: “We had taken technology and pushed it a little bit further and got fluid computer-generated creatures on to the screen with The Abyss and we did the same thing again, pushing technology further, with Terminator 2.”

But it was not until he saw how Peter Jackson had created the Gollum character in Lord of the Rings that he felt it would be possible to make Avatar – although, he said: “We were going significantly beyond anything he had done because we had all sorts of different characters based on different actors.”

He went to New Zealand to meet Jackson, toured his special-effects workshop and hired Jackson’s Weta company to work on Avatar.

Cameron explained his methods as he took me on a tour of the offices of his Lightstorm company in an unobtrusive, three-storey building on a busy street in the centre of Santa Monica. It is there, in offices lined with movie posters and rooms containing models of outlandish-looking creatures, that his staff of 60 artists, writers, production assistants and computer experts work on bringing his sometimes impossible‑seeming ideas to the screen.
The first 18 months of the four years he spent working on Avatar were devoted to creating the plants, costumes, vehicles, weapons, and, of course the creatures. One room is filled with models of creatures he and his staff created for Avatar – the Leonopteryx, the Stingbat, the Direhorse, the Sturmbeest, the Hellfire Wasp and many others that didn’t make it into the movie.

The actors had to learn Na’vi, a language that a linguistics professor spent a year creating for the movie, and Worthington, who was previously in Terminator Salvation and will be seen in next year’s Clash of the Titans, spent 13 months rehearsing and filming his scenes. “I’ve never had a guy push me like that,” he recalled later.

Cameron hasn’t yet decided on the exact length of Avatar, although he says: “It’s much shorter than Titanic. Let me put it this way – it’s an epic and a full experience and the only reason it’s not longer is because it’s a 3D experience and we don’t know what people’s threshold is for that, so we’re erring a little bit on the conservative side.”

With plenty of story material left over and the creatures and technology in place it would seem that an Avatar sequel is inevitable, but Cameron is not so sure.
“I honestly don’t know how I feel about a sequel right now. I’d love for us to be successful enough to warrant it, but I don’t know if I actually want to spend another three years making one.”
The filmmaker, who spent a lot of time in deep-diving submarines for Titanic and his documentary Ghosts of the Abyss, added, laughing: “It’s pretty simple. I like to be an explorer and I like to be an artist. I find those two things most fulfilling and after Avatar is done and I’ve hopefully made a little money off it I can go and do some more exploring.”

'Avatar’ will be released on Dec 17.

Source - http://www.telegraph.co.uk/culture/film/6720156/James-Cameron-interview-for-Avatar.html

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Download Veer Wallpaper | Veer Movie Wallpaper High Quality | Veer Bollywood Movie | Salman Khan Movie Veer Wallpaper



Source: http://www.glamsham.com/download/wallpaper/latest-wallpapers.htm

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PAA Review | PAA Images | PAA Movie Review | PAA 2009 | PAA Movie | PAA Online




 
 Paa

Director :
Music :
Lyrics :
Starring :
 R. Balakrishnan (Balki)
 Ilaiyaraja
 Swanand Kirkire
 Amitabh Bachchan, Abhishek Bachchan, Vidya Balan, Paresh Rawal, Arundhati Naag.


 
 


Playing a 13-year-old with a rare disease which causes him to age before time, Amitabh is class personified. Displaying an amazing flair and getting into character is like a cake-walk for him as Progeria (the disease he suffers from) ravages his tiny body. A special child with special abilities, Auro immediately makes a special place in your heart as you follow his short and brilliant life.

No self pity, just full of masti a kid his age would be. Auro has friends who form his support system apart from his mother (Vidya Balan) and his grandma who he lovingly calls 'Bum'

R Balakrishnan (aka R Balki) has tackled a very complex subject and has brought out the beauty of relationships in a very forceful manner without even one relationship in the movie going over the top. Be it the relationship between Vidya and Auro; Auro and his Bum, Auro and his friends or even Amol Arte (Abhishek Bachchan) and his dad (Paresh Rawal). Though centered around Auro and his disorder, Balki manages to draw all relationships to the fore.

Balki also manages to throw a positive light on sticky issues. Although he gets the point of the over-enthusiastic media, use of condoms, abortion and the political angle in, he does not sound preachy. 



Christien Tinsley and Dominie Till turn a 66-year-old-plus Amitabh  to a very believable 13-year-old with their prosthetic make-up. And Amitabh, with his walking, talking and body language draws you even closer to Auro creating that Aura. Nothing flashy. He just delivers his lines like any, normal 13-year-old would.

Really, this movie is all about Auro and a kid that explodes from Amitabh. Vidya Balan is sedate and super in her role as the caring single mother. Abhishek is solid as the politician who will not let anything come between his dreams and Auro's friend, Vishnu is a treat.

Not much was revealed of the story before the release and I too will not spoil it for you by saying much. All I can say is that the end will have you reaching out for the kleenex.

Yes, Abhishek is his Paa. Yes, it's a rare father-son-son-father story. Yes, I think the makers should also consider putting a proposal to making PAA tax free. Also every paa should take his family for this movie.

Paa kasam, this film will rock you.

Rating - 4/5



Source: http://www.glamsham.com/movies/reviews/03-paa-movie-review-120910.asp

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Vidya wants to carry Abhishek's kid | PAA Movie Review 2009


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After playing with the senior Bachchan in her upcoming film PAA, Vidya Balan is keen to repeat the same act in real life too. But, the kids have to be Abhishek's own.

This is not something we are writing out of imagination. These are Vidya's latest thoughts which she shared to a full packed media gathering while talking about her film PAA.

CHECK OUT: PAA Movie Review

Vidya, who was answering media queries about the film, came to Abhishek's rescue when an overenthusiastic scribe asked Abhi if he would carry his own kids the way he carried Big B on his shoulders.

While Abhishek was preparing to reply, Vidya pitched in and said that if "Abhi doesn't carry his own kids on his shoulders I will carry them on mine."

This response from Vidya surely startled the gathered audience. Many even bowled over by her witty reply. Now, how soon it will be before Vidya can actually carry Abhi and Ash's kid on her shoulders is something the Bachchan Parivaar can tell her the best.


Source : http://www.glamsham.com/movies/scoops/09/dec/03-vidya-wants-to-carry-abhisheks-kid-120911.asp



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Himesh Reshammiya: RADIO talks about Indian values of love


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Himesh Reshammiya's KARZZZZ had released on 17th October 2008. Exactly a year later Himesh Reshammiya can be seen promoting his next film as an actor, composer and singer - RADIO. There is a difference in excitement this time around though. In case of KARZZZZ, he was riding high on the success of his debut flick AAP KAA SURROOR - THE MOVIEE [2007] which had turned out to be an unexpected success. However, the excitement is of a different kind this time with RADIO being hours away from release. Over to Himesh Reshammiya, the man of the moment, who is confident that the niche feel of RADIO will help it succeed with the audience.

Director Ishaan Trivedi has graduated from TV to movies. Does himseh believe that Ishaan actually comes with the kind of sensibilities that could help in getting the narration right for a film meant for the big screen? But Himesh is absolutely positive about Ishaan and says, "Even Imtiaz Ali and Anurag Kashyap have come from a TV background! Look at where they are today. In fact Ishaan belongs to the same group as them. He has done a very competent job in the film and I could see that happening right from the time we started participating in workshops. The idea was to keep everything natural in RADIO and believe me, the most difficult part about acting is to remain natural in front of the camera. Still, Ishaan really guided all us actors quite well to come up with a natural performance."

Over last few weeks, the RADIO team has highlighted the contemporary element of the film. "Yes, RADIO talks about contemporary relationships but at the heart of it all, there is this value which our country is very proud of - 'Love'. The film is the story of a boy who is an R.J. and is solving other people's problems. However, his own personal life is in a mess and he is confused. He has gone through a divorce and in his radio station; he meets Shenaz who makes inroads into his life. Meanwhile, his wife Sonal realizes her mistake and soon they are back to friends again. All of this leads to a love triangle of a different kind. Other than these elements, we have also brought forward topics like chemistry, compatibility, social networking sites etc," himesh talks in length about his film.

CHECK OUT: Himesh Bhai-Smile Please

Further on Himseh also states that RADIO is for niche audiences, "Yes, we have a specific target audience in mind and it has to be urban youth. RADIO won't see a huge penetration in the single screens or smaller towns. Instead, it would see a controlled release. Otherwise we wouldn't have taken the risk of introducing terms of social networking sites in the realms of a commercial Hindi film. We know what we are talking about and thankfully the reactions have been hugely positive so far."




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Trade is abuzz with talks that ever since AAP KAA SURROOR - THE MOVIEE turned out to be a hit, Himesh had started offering a package deal of his triple role as an actor, composer and singer for a sum of 5 crores. This happened with KARZZZZ, KAJRAARE, A LOVE ISSSHTORY and ISHK UNPLUGGED. However, with RADIO he made an exception and offered a partnership deal. "I don't want to comment on my price for the earlier films but yes, RADIO did see a different pricing model. I did reduce my price and hence the reason RADIO could be completed in 6 crores. I am in a partnership mode with the producers and would get 50% of whatever profits that they end up making. I guess that's a fair deal for all," reveals Himesh.

It seems like Himesh wised up from the KARZZZZ experience when the film was a loosing preposition due to its heavy price tag of 42 crores...Himesh interrupts, "It was a different market situation at that time while today it is different. It's true that KARZZZZ flopped because of a huge price tag. At the end of the day a film could be good or bad but eventually it's the price that flops more than anything else. Due to such huge acquiring cost, they had to give a massive release for the film. There were thousands of shows running every day. The makers were right in their own place. However, given the kind of good reviews that came the film's way, I am sure it would have turned into a plus film had the release strategy been same as AAP KAA SURROOR. Well, one can just learn from the mistakes and move on. That's what we have done with RADIO."

Watch Radio Movie Online Here >>
 


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Himesh Reshammiya Radio Hindi Movie Review - Latest Updates on Radio Movie Promo

Apun Ka Choice Review for Radio Movie

Say what his staunchest critics may, but this wannabe actor just refuses to throw in the towel. Himesh Reshammiya, doubtlessly a good music composer and now a better singer (sans his nasal twang), returns once again to the big screen in director Ishaan Trivedi’s film Radio which has him playing an RJ who solves other people’s love problems without getting rid of his own.


Vivaan (Himesh) is an upwardly mobile RJ until his life is rocked by a divorce from wife Pooja (Sonal Sehgal) whom he can’t seem to live with or without. His faith in relationships shaken and his heartache still not fully nursed, Vivaan lands into further confusion with the coming of Shanaya (Shenaz Treasurywala) who brings cheer, and complications, to the brooding RJ’s life.

Is Vivaan rediscovering love in Shanaya? Or does his heart still throb for his ex wife who, by the way, continues to remain his friend after divorce? The matters of Vivaan’s heart are complicated.

Director Ishaan Trivedi tells the story in different chapters and that pretty much sums up the novelty one is likely to see in ‘Radio’. The film’s weakness lies in its inability to make a viewer relate to the love triangle, or tangle. The ‘incompatibility’ because of which Vivaan and Pooja decide to part ways isn’t established convincingly, nor is crackling the chemistry between him and Shanaya.

Watch Radio Movie Online Here >>

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Himesh seems to be trying too hard to cement his footing as an actor because the effort he makes to get his act right in ‘Radio’ is quite apparent in his performance. Sonal Sehgal is pretty and gets some expressions right. Shenaz is a breeze of fresh air that gets too bubbly for the good of her own character after a while. Paresh Rawal is wasted in an over-the-top guest appearance.

With its soulful tunes, average performances, mangled story and wry humour, ‘Radio’ could turn out to be a delight for Himesh’s loyal fans, and distress for the others.

Rating: 4/10

Source: http://www.apunkachoice.com/content/article/sid1192-radio__movie_review/

Radiosargam.com Review for Radio Movie 2009
Director: Isshaan Trivedi
Star Cast: Himesh Reshammiya, Sonia Sehgal, Shenaz Treasuryvala, Paresh Rawal

Radio Jockey Vivan (Himesh Reshammiya) has just been divorced from Pooja (Sonia Sehgal). He spends his time singing and of course doing whatever one does on the radio. While he does his radio, his own signal from the heart is transmitted directly into his colleague’s heart, Shania (Shenaz Treasuryvala). But there is a twist; Pooja is still in love with Vivan and pines for him day and night. The three tackle issues of the heart for the whole duration of the film while drinking coffee, updating statuses on Facebook and of course trying to sing without using your nasal. Thus is the story of Radio.

Radio is a very poor version of Dil To Pagal Hai. It has no story, no acting, and the music is just bearable. Director Isshaan Trivedi is a master in creating a film with no essence and creativity. Anyone could have held a camera and done a far better job than the one he has.

Himesh Reshammiya was touted as the next big thing in Bollywood soon after Aap Ka Surroor, his debut flick. His subsequent releases have tarnished that title and he is now in danger of joining the dinosaurs – getting extinct. In Radio Himesh does not act. My pet dog Babloo can show more emotions than Himesh has in this film and Babloo does not sing through his nasal – which is a plus. Himesh arrived with a bang but will be going out in a whimper.

Sonia Sehgal looks ugly and her acting is non-existent. The same can be said for Shenaz Treasuryvala. Paresh Rawal is annoying and the rest of the cast unbearable.

Watching Paa with Amitabh Bachchan and Radio on the same day, which I did unfortunately, opens your eyes to how good and how bad Bollywood can be. Paa is astounding and riveting viewing while Radio is as pathetic as a film can get.

Do not watch this! If you do then you only have yourself to blame.

Source: http://www.radiosargam.com/films/archives/56562/movie-review-radio-2009-starring-himesh-reshammiya-and-sonia-sehgal.html


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